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Biography Stéphane de Gérando
Ԑıoƃɹɐdɥıǝ ɔonɹʇǝ
Ԑıoƃɹɐdɥıǝ
Ԑıoƃɹɐdɥıǝ péʇɐıʅʅéǝ
The labyrinth of time - examples of creations
⅂ǝs ɔɹéɐʇıous pn ⅂ɐqʎɹıuʇɥǝ (ǝu dɥoʇos, 100 dɐƃǝs)
The labyrinth of time - planning your Labyrinth
⅂ǝ ⅂ɐqʎɹıuʇɥǝ pn ʇǝɯds (1/5) - Ԁɹǝ́sǝuʇɐʇıou sʎuʇɥéʇıbnǝ
⅂ǝ ⅂ɐqʎɹıuʇɥǝ pn ʇǝɯds (2/5) - Ԁɹéʌoıɹ sou ⅂ɐqʎɹıuʇɥǝ
The labyrinth of time - polyartistic practice and poetic texts
⅂ǝ ⅂ɐqʎɹıuʇɥǝ pn ʇǝɯds (3/5) - ᴚèƃʅǝs p’ıuʌǝuʇıou ǝʇ p’ıuʇǝɹdɹéʇɐʇıou. Ԁɐɹʇıʇıous ɔoɹdoɹǝʅʅǝ (pɐusǝ), ʇǝxʇnǝʅʅǝ (ʇɥéâʇɹǝ), ɯnsıɔɐʅǝ
⅂ǝ ⅂ɐqʎɹıuʇǝ pn ʇǝɯds (4/5) ⊥ʎdoɔɹıʇǝ pn sıƃuǝ ⅂ǝ ʇɥéâʇɹǝ pn ⅂ᗡ⊥ ᴚǝɔnǝıʅ pǝ ʇǝxʇǝs
The labyrinth of time - pedagogy
Ǝsdɐɔǝ dépɐƃoƃıbnǝ ǝʇ ɔɹéɐʇıɟ - ıusʇɐʅʅɐʇıou unɯéɹıbnǝ
The labyrinth of time - further information
Ⅎʅʎǝɹ
⅂ǝ ⅂ɐqʎɹıuʇɥǝ ǝu Iɹɐu (dʅns pǝ 50 dɥoʇos p'ɐƃǝuɔǝs pǝ dɹǝssǝ, ʇéʅéʌısıous, nuǝs pǝ dɹǝssǝ, ɐɹʇıɔʅǝs, ɐɟɟıɔɥǝs, ɔouɟéɹǝuɔǝs à ʅ'nuıʌǝɹsıʇé)
Ǝxǝɯdʅǝ p'nu ʅıʌɹǝ pn ⅂ɐqʎɹıuʇɥǝ
The labyrinth of time - search (sample articles)
∀ɹʇıɔʅǝ 1 pǝ ɹǝɔɥǝɹɔɥǝ - Iuʇɹopnɔʇıou ɐn ⅂ᗡ⊥
∀ɹʇıɔʅǝ 2 pǝ ɹǝɔɥǝɹɔɥǝ - Iuʇǝɹdɹéʇɐʇıou doʅʎɐɹʇısʇıbnǝ pn ⅂ᗡ⊥
∀ɹʇıɔʅǝ 3 pǝ ɹǝɔɥǝɹɔɥǝ - Ǝusǝɯqʅǝs ɥoɯoɯéʇɹıbnǝs (ɔoɯqıuɐʇoıɹǝ ǝʇ ɯɐʇɥéɯɐʇıbnǝs)
∀ɹʇıɔʅǝ 4 pǝ ɹǝɔɥǝɹɔɥǝ - Iuʌǝuʇıou ɐʅƃoɹıʇɥɯıbnǝ pn ɯɐʇéɹıɐn (ɔoɯqıuɐʇoıɹǝ ǝʇ ıuɟoɹɯɐʇıbnǝ)
General catalog of Gérando's works and publications
Ↄɐʇɐʅoƃnǝ ƃéuéɹɐʅ pǝs œnʌɹǝs ǝʇ dnqʅıɔɐʇıous pǝ ⅁éɹɐupo
About Stéphane de Gérando
∀n snɾǝʇ pǝ ⅁éɹɐupo
Press kit
For any request for access to the entire press kit (photos, PDF, videos, etc.), please contact sdegerando@gmail.com indicating your function and the institution concerned.
Biography
Stéphane de Gérando initially had a dual training as a composer and researcher, at the National Conservatory of Music and Dance in Paris (First Prize and 3rd cycle first named in composition), at the university (doctor, authorized to direct research) and at IRCAM (computer science course). He won the international Stipendienspreis 1994 prize at the Darmstadt Contemporary Music Festival, the Prize of the Association of Former Students and Students of the National Conservatories of Music and Dramatic Art in Paris (1991), the Academic Prize of the SACEM (1995), and he was a Sasakawa Foundation Laureate in 1993 and 1994.
Its catalog includes more than 90 works, from the single instrument to the orchestra with or without electronics, digital installations, monumental projections, virtual paintings, polyartistic creations theater - dance music digital technologies.
Since 2007, he has mainly devoted himself to the Labyrinth of Time, a multi-media work that is both polyartistic and technological. With France's international support, one of the last monumental projections of the Labyrinth of Time is on the Azadi tower in Tehran on July 19, 2018 (numerous televisions, photos from press agencies, press covers, articles ).
Books, articles, dictionary, Gérando's publications deal on the one hand with historical, aesthetic, educational and institutional issues related to the notion of creation and on the other hand with algorithmic issues (world firsts) or more broadly related to digital technologies, with scientific collaborators such as Athanase Papadopoulos, Franck Jedrzejewski, Christophe Mourougane (mathematicians), Jérôme Pétri (astrophysicist), Louis Bigo (computer scientist), Gille Baroin (doctoral engineer).
Selective discography (43 titles)
• Verticale Mémoire (14 titles), electroacoustic cycle of the Labyrinth of Time, National Center for Music, House of Contemporary Music, International Institute for Innovation, Artistic Creation and Research, 2022
• Electroacoustic 1 (7 tracks), UPC EAN 198003576506, 2022
• Meta-instrument 1 (13 titles), UPC EAN 198003568464, 2022
• Imaginary dialogues (9 titles), Mfa, Radio-France, 3icar, Inactuelles Tschann Paris, 2010 (monographic CD by Gérando)
Extracts from publications
• Le labyrinthe du temps (work of art, computer-generated image and texts by Stéphane de Gérando), Paris, 3icar /icarEditions, 2013.
• Contemporary work put to the test of the concept, preface by Paul Méfano, afterword by Jean-Yves Bosseur, Paris, L'Harmattan with the CNRS and Paris I, 2012.
• Imaginary dialogues. An experience of contemporary creation and research, Paris, Inactuelles, 2010 (English version Julien Elis).
